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News & Press
In 2018, David ‘Ram Jam’ Rodigan celebrates 40 years of broadcasting with a series of special gigs and World A Reggae were in London to witness David Rodigan alongside The Outlook Orchestra in one of central London’s most spectacular gig locations, Somerset House as part of the Summer Series.
The crowds gathered early, soaking up the warmth of the London air in this iconic outdoor location dancing and swaying to the roots reggae classics as the sun shone brightly in the heart of central London.
Adding the sounds of the Caribbean to the tropical region’s best-loved beverage will make for a sizzling summer’s outing this weekend.
The new Rum and Reggae Festival will transform Blackpool Pleasure Beach’s Paradise Rooms into an island hotspot. Day and night sessions are running at the festival, which will feature carnival dancers, steel drum performances and traditional Caribbean food as well as the chance to try some top notch drinks. The reggae soundtrack will be provided by Tippa Irie and Reggae Sound System.
Trojan Records’ newly-formed music imprint has announced its first signing.
Reggae Roast’s Murder is the first track issued by the iconic dancehall and reggae label in over 20 years, and is the first release for their Trojan Reloaded imprint.
The formation of a frontline, new music label coincides with Trojan’s 50th anniversary this year, which will be celebrated across the year with a series of live events, catalogue releases, a documentary and the publishing of a book telling Trojan’s story.
In addition, the label’s past and future are set to come together with Reloaded second release, as Reggae Roast returns with Real Reggae Music featuring Tippa Irie on July 13, which will also be included in the upcoming Trojan Records 50th boxset due for release later this year.
Deekline and Tippa Irie are bringing the smooth grooves and ragga vibes in the place on their latest colab for Jungle Cakes.
Setting the perfect mood for the summer Deekline has laced this chilled out, tropical Jungle beat with Tippa’s infectious vocal. Calling up Voltage & Nicky Blackmarket for remix duties they’ve kept some of the Caribbean feel but added some down low dirt to the mix. And no Deekline release would be complete with out some garage for the house heads, bringing a little bit of the 90s warehouse feel to the release, a sub heavy sound that will cause some serious damage on the floor.
New collection featuring guest appearances by Tippa Irie
It’s always kind of amazing when Colorado Springs 450-capacity Black Sheep manages to book a band to play the night after their headlining appearance at the world-renowned Red Rocks Amphitheatre, which is more than 20 times larger. Especially when that band is the Long Beach Dub Allstars, one of the most 420-friendly acts in the world, and this year’s appearance happens to fall on 4/20.
Since rising up from the ashes of Sublime after the untimely demise of frontman Bradley Nowell, the SoCal pop-reggae stalwarts have spent the better part of the last two decades entertaining smoke-filled arenas with such ganja-centric classics as “Sensi” and “Grass Cloud.” (Frontman Opie Ortiz’s favorites strains, since you didn’t ask, are Banana OG, Gorilla Glue, Granddaddy Purple and Royal OG.) LBDA fans can also give praise to Jah that the band, which has been awfully studio-shy in recent years, finally released two new songs, “Holding Out” and “Steady Customer,” just this past fall, and is rumored to be readying a new collection featuring guest appearances by Tippa Irie, Half Pint and Jurassic 5’s Chali 2na.
He was the young South London lad back in the 1980s when he took the leap of faith into the rising world of Reggae, and released the iconic “Hello Darling”. He’d already had some success after releasing singles on the Greensleeves label but it wasn’t until “Hello Darling” was released that his career took off in the right direction for him. He was received with open arms and Anthony Henry AKA Tippa Irie was born and in hot demand.
Since then he’s gone on to work with some of the most influential musicians in the World. From Alexander O’Neal to The Black Eyed Peas, his own influence can be heard on some of the most memorable tracks ever recorded. Most recently he’s worked with London Reggae band The Skints whose style is reminiscent of some of the 80s classic Reggae musings, and certainly fits well with Tippa’s style. His music is as relevant now as it was back where it all began.
I caught up with him ahead of his latest tour with the Lockdown Band which will see him hype the crowds of The Maze in Nottingham on Sunday 16 July.
It’s 1986. South East London’s Saxon and their collective of talented mcs are ruling England’s sound system scene. One of them, Papa Levi, has already made history by scoring a Jamaican hit, Mi God Mi King. Another, a skinny youth with sleepy eyes and a cheeky grin, is about to crash the UK pop charts via a jazzy lovers ditty called Hello Darling…
Fast forward 30 years and that young man, Tippa Irie, has recently celebrated his 51st birthday. The U.K. reggae-dancehall industry has experienced ups and downs since the explosion of possibilities in the 80s. But Tippa has come through it well enough. He’s CEO of his own production company Lockdown. He travels the world bringing enjoyment to audiences at live shows, using his still preternatural ability to entertain. And he has just released his 13th album Living The Dream: a diverse collection of transatlantic crossover tracks (whose striking artwork features Tippa surfing atop dollar bills wearing a crown).
In part 2 of our full career interview with Tippa Irie, he talks about going on the road with Saxon, pop success with Greensleeves and his mixed experiences with major labels…
When you joined Saxon they already had quite a lot of notable people there like Levi, Maxi Priest and Peter King. Did you know them already?
No, but to me it was just dances. It wasn’t like you’d go there and it was like “Who is this guy?” You’d go over there and people had just got to respect your talent. If you could deliver then people can say what they want to say but you’re delivering. At the end of the day nobody could tell Musclehead “Who is this guy? We don’t want him here!” They saw my talent. Dennis Rowe was the main guy really. Dennis was the man that was infectious, who gathered us altogether and really showed us the love. He really cared about us. Dennis was the man that really kept us all together.